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Shree Mani's lines are a melange of linguistic influences.
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This one must have been like sleepwalk for Devi Sri Prasad. Shankar Mahadevan's voice is tailor-made for inspirational songs like this one. Shree Mani's lyrics make an effort to taste like Ramajogayya Sastry's pen: 'Ee nelanu edaku hattukuni molaketthamani pilupunicchi padara' is one of the best lines. Genre-wise, the song comes across as an unexciting precursor to 'Vachadayyo Saami' from 'Bharat Ane Nenu'. DSP's tune, to be honest, is pretty much a middling performer. The voices of the singers are enticing they invite you to the lyrical world of roses and sexy curves. Hemanchandra is outcompeted by Vishnupriya Ravi's splendid rendition.
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The lyrics are not as ordinary and lifeless as the non-exhilarating music suggests. Shree Mani's lyrics concoct imaginative ideas. If this is a situational song that comes at a crucial juncture in the film, you can guess that Vamshi Paidipally has given it its due. Shree Mani's lyrics are high-sounding and elevate heroism. Yazin Nizar's voice is apt, although it could have been a booming voice (giving it's a montage song, apparently). DSP doesn't necessarily give a majestic tune 'Nuvve Samastham' may actually be the title song of 'Bharat Ane Nenu'. If you notice the tempo, the stanzas (in the first leg) sound like a rip-off of 'We have a Romeo' song from 'Bommarillu'. Shree Mani's lyrics are average, we have seen similar themes around friendship in so many songs/dialogues. His voice makes it all the more familiar and a middling performer. It's fit to be a medium-range hero's number. The rest of the songs will be reviewed as and when they are released.įor a Mahesh Babu film, the song is rather underwhelming. The first single from 'Maharshi' is out on Aditya Music.